One in Salisbury, which was all about books: library and second hand; and generalised chaos. The second more local, involving close conversation and landscape, the colours dimmed by season and the sky’s declared intention to drop in buckets, which nevertheless didn’t happen.
Now all I’ve got to do…
No problem about turning to notes and references in this one, because there aren’t any. It feels as if the book’s origin lies in a collection of slowly accumulated notes, in which the courtesy of accurate referencing was unconsidered until it was far too late to reconstruct the author’s sources. On the plus side, this gives it a personal and slightly fugitive air. And at least he can spell mediaeval.
The absence of a glossary presents a challenge to the reader, especially as the collaged quality of the text includes the use of specialist terms many pages before the author indicates their meaning (or occasionally never defines them at all). This is quite a good deduction game for word-fanciers. Even more tricky is visualising the complicated manoeuvres of, say, whipping and looping bow strings, although diagrams are added to verbal descriptions.
The moments of personal reminiscence were engaging:
I well recall the months of strain and struggle to master the [replica Mary Rose] bow and eventually, at the very limit of my strength, managed to draw some 95lbs at around 28 inches … I was definitely overbowed and doubtless set my shooting form back several years … drawing and loosing this bow gave the feeling of being caught in an earthquake … (p 73)
It’s also interesting to learn of the work done by modern archers to repeat the reported performances of mediaeval archers, using replica bows; the modern archers are at a disadvantage as they have not been physically developed since childhood to use a heavy bow. Some archers have reproduced remarkable feats of shooting distance and accuracy. Roth notes drily that some of these shots may be lucky – lucky shots do occur, although mostly for excellent archers. (p 158)
I am, of course, entirely ignorant of practical archery, but it did remind me of another wood-and-missile-related discipline: the mysteries of knocking in and splices and sweet spots; Chinamen and the back of the hand; giving air and seaming; offs, ons, legs and squares; and the rest of cricket’s paraphernalia. Ah, these rituals!
… but in fact I suspect they will all be occupied in the end. Now I am tempted to dash out and buy a new pencil case and coloured pencils and sharpener and ruler and compasses and protractor and a shiny notebook and perhaps a bag to put everything in. Ah, that old September feeling.
Yesterday the garden fair was all ice cream and summer dresses. Today was the sort of day when the hills disappear, when the rain streams down your face into your mouth in spite of the storm hood, when water runs into your sleeves as you take a bite of damp cake, when you snap no photos and send no texts in case the phone drowns, the kind of day when the legs of your jeans are so heavy with water that they start to pull themselves down off your bottom as you walk. A few keen gardeners traipsed around, bought a plant or two, and went home for early lunch, no doubt consoling themselves that their £7 entry was going to a Good Cause. The show was officially declared rained off at three, and we packed up as the angrily-flapping canvas tried to take off in the gusts, and just as the ground paused on the verge of becoming an un-driveable quag.
It was, indeed, the sort of day when you strip off your horrible trousers as you walk into the house, indifferent to the privacy of a bathroom or bedroom (or even a closed front door); and when you utter thanks to those trusty old soldiers in your service –
– feet being the only parts of the anatomy which were still both warm, and perfectly dry.
There’s a gracious backdrop to the confusion of cars, vans, marquees, gazebos, trestles and tables, residue from about a hundred geese, and other impedimenta. Crucially, we found the tap.
We were slightly concerned by the number of people attaching storm straps or extra guys to their canvas. We don’t have any for ours. The forecast is fair overnight, but I find my ear is cocked for a change in the wind.
Because they have all gone home. Whew.
Leaving me with time to take a survey of the perennials whose seeds I planted back in the early spring. Some have done well, some started well and then sulked, some looked pathetic and then changed their minds and went woosh. I’ll never understand plants.
I have been particularly taken with the agastache. They have a pleasing aromatic foliage, and the bees LOVE them; there’s a continual buzz of bumbles around them (already in progress by six this morning), which has to be good for all of us.
Then there are these rich, dark rudbeckia. At the moment the plants are a bit on the spindly side, but on this showing I’m really hoping that they live through the winter and fatten up next summer.
Lots of technical vocabulary in this one. Some of the authors translate or define the Greek terms they use; some just transliterate; and some don’t bother at all. Which leaves me, with my primitive half-familiarity with the Greek alphabet, painfully sounding out words, and hoping they will come out as something vaguely familiar and guessable.
A few are fairly easy given a context – I could cope with θεολογια; and γνωσις was doable. But προσαρμοσας? Urg.
As for the English language parts: some of these sentences and paragraphs will remain mysterious to me for ever. But that’s another story.
The weather has taken a turn: sea rolling grey and white, sky heavy. Avoiding the wind we walked under the trees, past the reeds and brackish pools and a few reposing gulls.
The second batch of beach clay pots went in for a v e r y s l o w f i r i n g, and I only lost one, cracked at the rim. I’m surprised how pale some of them came out – one of the grey clays must have had scarcely any iron in. Also rather oddly, the blue-green clay fired to a quite strong terracotta, and not surprisingly at all, the dark orangey brown fired to dark orange-red. I think they will look better when dirtied and algaed up a bit. Going in raw:
The third batch are drying out ( v e r y s l o w l y, of course). Meantime I have had an outbreak of porcelain bud vases, which is about as different a throwing challenge from the big rough beach clay pots as you could possibly get. I do make the little vases quite chunky though – my excuse, so that they will be stable if heavy-headed flowers are put in them.
It was difficult to achieve the zen-like concentration needed for good throwing, as the wretched guest poultry, which are allowed to forage on a large patch of grass, a partly-dug vegetable bed, the wild-bit-at-the-back, a neglected border, and a long gravel path, have found the one bit of garden I don’t want them in. Naturally.
They waited until I was well settled at the wheel, and then tip-toed down the grass, carefully not making eye contact with me, to the forbidden territory. I added a new game called broomfrighteners to my sporting repertoire, sweeping the invaders up the garden with gratifying flutters and flaps and squawks. The chooks then stood about ten yards off, doing chicken things with their necks and complaining, waited for me to sit down to the next bud vase, and immediately started doing grandmother’s footsteps back down the garden for the next round. So far, I reckon they are winning on points.
On the other hand: egg and lettuce sandwiches; swiss roll; baked custard; omelette; quiche …